The Year of Tony Bennett

An Appreciation of the Art and Music of Tony Bennett

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Song of the Day: You’re All the World To Me

The song of the day for Thursday, June 19, 2014 is “You’re All The World To Me.”

About This Song

“You’re All The World To Me” was written in 1950 by Burton Lane and Alan Jay Lerner for the wonderful 1951 Fred Astaire film Royal Wedding. This is the song of Astaire’s famous dancing on the ceiling number.

About This Version

Both of us woke up this morning, independently, thinking about how much we wanted to see Tony Bennett in concert. It was a powerful wish, as at 10:00 am I got an email from the Oregon Symphony letting me know that Tony Bennett, along with his daughter Antonia, would be performing on November 5 here in Portland, Oregon. (Needless to say, I’ve already bought my tickets.) As a result of thinking of this upcoming concert, I have been in a mood for Bennett’s live recorded concerts.

In that frame of mind, I chose “You’re All The World To Me,” from his 1994 MTV Unplugged concert.

http://open.spotify.com/track/5HlMUQuzjkdhv5Y7ix2HZR
“You’re All The World To Me,” as well as the concert recording of MTV Unplugged, is available from iTunes.

Even after I learned how this shot was accomplished, I never cease to wonder at this number. Thanks to YouTube, I’m able to share it today:

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Song of the Day: You’re All the The World To Me

The Song of the Day for August 30, 2012 is You’re All The World To Me.

About You’re All The World To Me

You’re All The World To Me was written in 1950 by Burton Lane (music) and Alan Jay Lerner (lyrics). It premiered in the 1951 Royal Wedding,starring Fred Astaire, who introduced the song in the famous “dancing on the ceiling” scene.

About This Version

This version is from Tony Bennett’s 1993 Stepping Out, his tribute to Fred Astaire.

A Special Treat

Here’s the famous dance from Royal Wedding. Note that the entire number is done in a single take. The entire set of the room and the camera was attached to an axis  rotated through the number. It was a revolutionary effect that was used in later films, including 2001: A Space Odyssey and most recently, Inception.