• Home
  • About
    • About This Blog
    • About the Authors
  • Song of the Day
  • Album of the Week
  • Music and Art
    • Tony Live!
    • Music
      • Viva Duets
      • Songs
      • Albums
    • Art
  • And More
    • Collaborator of the Month
    • Songwriter of the Month – 2016
    • News
      • Cheek To Cheek
      • Bennett & Brubeck -The White House Sessions Live 1962
      • Life is a Gift
      • Viva Duets
      • Zen of Bennett
      • Other News
    • About His Collaborators
    • Musings
    • Extras
      • Books
      • Interviews
      • Media
  • The Interactive Tony Bennett Discography

The Year of Tony Bennett

An Appreciation of the Art and Music of Tony Bennett

September 28, 2013 By Suzanne Leave a Comment

Song of the Day: Where Or When

The song of the day for Saturday, September 28, 2013 is “Where Or When.”

About This Song

“Where Or When” was written by Richard Rodgers and Lorenz Hart in 1937 for the Broadway musical Babes In Arms. Note that the Broadway musical bears little, if any, resemblance to the 1938 film that starred Judy Garland and Mickey Rooney. Only two songs of the Rodgers and Hart songs were used in the film; thankfully “Where Or When” was one of those songs, though only a brief portion of the song is heard.

In the Broadway production, the song was sung by a young couple (played by Ray Heatherton and Mitzi Green) who had just met, fallen in love on sight and sing this song about how they seem to recognize each other, but cannot remember where, or when.

The song has been widely recorded since it was written from Frank Sinatra, Tony Bennett, Mel Tormé, Ella Fitzgerald and Dinah Shore to Dave Brubeck, Art Tatum, Gene Krupa and Duke Ellington.

About This Version

Today’s song is from the superb album Tony Sings For Two. The entire album was recorded in a single day with just Bennett and Ralph Sharon at the CBS 30th Street Studio. While recorded in October, 1959, it wasn’t released until 1961. Tony tells this story in his autobiography, The Good Life:

I always wanted to be unpredictable, and so for my next project, I decided to go in the opposite direction from the big orchestral albums I’d been doing lately and cut an intimate album piano-vocal album with Ralph Sharon. We booked time in the studio and pored through music books, trying one tune after another. The arrangements were spontaneous, and we finished each song in one or two takes. In one afternoon we laid down sixteen tunes–which must be some kind of record–twelve of which made it into the album, which became the 1961’s Tony Sings For Two. Mitch Miller showed up at the start of these sessions, furious that I was really going through with it. When he saw that there was no dissuading me, he turned to Frank Laico and said, “I’m leaving. I can’t support this.” Tony Sings For Two turned out to be one of my finest albums ever.

In addition to “Where Or When,” this album contains my favorite recording of one of my favorite songs: “The Man That Got Away.” There really isn’t a false moment on the entire album: it’s a brilliant album by two great musicians.

http://open.spotify.com/track/1jKAs45clerby224GYvA7H
“Where Or When,” as well as the album Tony Sings For Two, is available from iTunes and Amazon.com.

Filed Under: Song of the Day Tagged With: Lorenz Hart, Mitch Miller, Ralph Sharon, Richard Rodgers, Tony Sings for Two

June 19, 2013 By Suzanne Leave a Comment

Song of the Day: The Boulevard of Broken Dreams

The song of the day for Wednesday, June 19, 2013 is “The Boulevard of Broken Dreams.”

About This Song

“The Boulevard of Broken Dreams” was written by Harry Warren and Al Dubin for the 1933 movie Moulin Rouge, starring Constance Bennett, who introduced the song.

Tony Bennett first recorded this song in 1949 with Leslie Records as demo record, with “Crazy Rhythm” on the flip side, both arranged by Bennett’s friend and vocal coach Tony Tamburello. Tony Bennett relates the story in The Good Life:

Not long after Mitch took over as head of A&R (at Columbia), he heard my demo disks of “Boulevard of Broken Dreams” and “Fascinatin’ Rhythm.” This was around the same time that he had the his now-infamous feud with Frank Sinatra. They constantly fought over what songs Frank should record. The industry was beginning to give Mitch a lot of flack for that, and I always suspected he signed me partially to show people that he wasn’t prejudiced against Italian singers! He had never heard of me, but he was so impressed by the way I sang “Boulevard of Broken Dreams” that he signed me to the label sight unseen and selected “Boulevard” as my first single for Columbia. As it turned out, it was one of the few times that Mitch and I saw eye to eye on the subject of repertoire.

“The Boulevard of Broken Dreams” was released on May 22, 1950.

About This Version

Today’s version is from one of my favorite albums, the 1990 Astoria: Portrait of the Artist. It’s a slower and somewhat more romantic arrangement that it is quite sweet and tender.

http://open.spotify.com/track/2GoFkLZ0SoqTLD9jN2qgIQ
“The Boulevard of Broken Dreams,” as well as the full Astoria album, is available from iTunes.

Filed Under: Song of the Day Tagged With: Al Dubin, Astoria: Portrait of the Artist, Harry Warren, Mitch Miller

January 7, 2013 By Suzanne 1 Comment

Song of the Day: The Boulevard Of Broken Dreams

As we continue with The Tony Bennett 1950s Hit Parade, the song of the day for Monday, January 7, 2012 is The Boulevard of Broken Dreams.

About The Boulevard of Broken Dreams

The Boulevard of Broken Dreams was written in 1933 by Harry Warren, with lyrics by Al Dubin. The song was written with for the 1934 film, Moulin Rouge, and the song, as well as the film, was set in Paris. It was first sung in the film by Constance Bennett; the first recording was made by Deane Janis with Hal Kemp’s orchestra in 1933. Significant recordings include those by Bing Crosby and an instrumental version by Art Tatum.

About This Version

Like the version of Fascinatin’ Rhythm we featured a few weeks ago, The Boulevard of Broken Dreams was first recorded as a demonstration disc by Leslie Records in 1949. Unfortunately, no recordings of this demo disc still exist.

This recording is the song that got Tony Bennett his contract with Columbia in 1950. Mitch Miller had heard the recording and offered a contract to Mr. Bennett, sight unseen.

This version was recorded in April, 1950 and was released in May of the same year. It was arranged and conducted by Marty Manning and produced by Mitch Miller.

The Boulevard of Broken Dreams

Listen to The Boulevard of Broken Dreams on Spotify. Tony Bennett · Song · 2011.

The Boulevard of Broken Dreams, as well as the full Columbia Singles: Volume 1, is available from iTunes.

Filed Under: Song of the Day Tagged With: Al Dubin, Harry Warren, Leslie Records, Marty Manning, Mitch Miller

  • « Previous Page
  • 1
  • …
  • 4
  • 5
  • 6

Subscribe to The Year of Tony Bennett

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Current Reader Favorites

  • Duke Ellington and the Harlem Renaissance
  • Song of the Day: The Good Life
  • Song of the Day: Make Someone Happy
  • Embrace Me
  • Song of the Day: Yesterday I Heard The Rain
  • Song of the Day: Where Do You Start
  • Home
  • About
  • Song of the Day
  • Album of the Week
  • Music and Art
  • And More
  • The Interactive Tony Bennett Discography

Copyright © 2023 The Year of Tony Bennett · Genesis Framework by StudioPress · WordPress