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The Year of Tony Bennett

An Appreciation of the Art and Music of Tony Bennett

March 29, 2025 By Suzanne Leave a Comment

Song of the Day: One For My Baby (And One More For The Road)

The song of the day for Saturday, March 29, 2025, is “One For My Baby (And One More For The Road).”

Johnny Mercer

We’re continuing our look at lyricists with one of America’s greatest: John Herndon Mercer. Johnny Mercer was born on November 18, 1909, to a prominent family in Savannah, Georgia. He developed a love of music at a young age. He was meant to matriculate at Princeton University, but the family lost most of their money in the 1929 crash. He moved to New York and started his career as a lyricist; one of his first major collaborations was with Hoagy Carmichael. He moved to Hollywood in 1938 and worked with several notable composers, including Richard Whiting and Harry Warren. He began working with Harold Arlen in the 1940s; their collaborations were quite notable.

Although he continued to write lyrics for many years, he also pursued other interests, notably founding Capital Records in 1941. New studio signed many notable artists, including Frank Sinatra, Nat “King” Cole, Peggy Lee, Kay Starr, Mel Torme, and many other artists. Frank Sinatra was the first artist to record at the newly built Capitol Records building in Los Angeles.

Johnny Mercer died in Los Angeles from a brain tumor on June 25, 1976. He is buried at the Bonaventure Cemetery in Savannah.

About This Song

“One For My Baby (And One More For The Road)” was written by Harold Arlen and Johnny Mercer for the 1943 film The Sky’s The Limit, where it was introduced by Fred Astaire. Harold Arlen called this song one of his “tapeworms” as, at 48 bars, it was longer than the standard 32-bar popular song. Alec Wilder, in American Popular Song, says that “the honors must go to the lyric. Just imagine having the acuity and courage to start a song, as Mercer does, with ‘It’s a quarter to three’!

It has been said (though this may be apocryphal) that Mercer wrote the lyric on a cocktail napkin at P. J. Clarke’s when. Tommy Joyce was the bartender. The next day Mercer called Joyce to apologize for the line “So, set ’em up, Joe,” explaining, “I couldn’t get your name to rhyme.”

About This Version

Tony Bennett recorded “One For My Baby (And One More For The Road)” in June 1992 for his album Perfectly Frank. Ralph Sharon wrote the arrangement.

“One For My Baby (And One More For The Road),” as well as Perfectly Frank, is available on Apple Music.

Filed Under: Song of the Day Tagged With: Harold Arlen, Johnny Mercer, P.J. Clarkes, Perfectly Frank, Ralph Sharon, Tony Bennett

March 14, 2025 By Suzanne Leave a Comment

Song of the Day: That Old Black Magic

The song of the day for Saturday, March 15, 2025, is “That Old Black Magic.”

About This Song

“That Old Black Magic” was written by Harold Arlen and Johnny Mercer for the 1942 film Star Spangled Rhythm. Glenn Miller made the first recording of the song, also in 1942. “That Old Black Magic” has been recorded many times and used in several films, including the 1956 film Bus Stop, where it was sung by Marilyn Monroe.

About This Version

On August 28, 1962, Tony Bennett (with his trio) and The Dave Brubeck Quartet gave a concert at the request of President John F. Kennedy, honoring that year’s group of Presidential Scholars. Bennett and Brubeck each performed sets of their music. After both had played, they joined for an impromptu. improvised set, featuring Tony Bennett, Dave Brubeck (piano), Joe Morello (drums), and Eugene Wright (bass). At the time of the concert, both Brubeck and Bennett were at the height of their careers. Bennett had entered the Billboard charts with his hit “I Left My Heart in San Francisco,” and Brubeck’s “Take Five” had become an instant jazz classic. The concert was originally to be held in the White House Rose Garden, but there was so much interest that it was moved to the Mall near the Washington Monument. Frank Laico, one of Columbia’s top recording engineers, taped the concert.

Unfortunately, the tape of the concert was long thought to be lost. It was only discovered in 2012 in the Classical music archives at Columbia/Song. The album Bennett/Brubeck: The White House Sessions Live 1962 was released in 2013.

According to jazz writer Ted Gioia, both had arrived at stardom but were seemingly stars from different galaxies. Yet these two beloved musicians also had much in common.” He points out that both men served in the Second World War and participated in the Battle of the Bulge, as well as having been active in the Civil Rights movement. (Brubeck cancelled 23 concerts rather than replace his black bassist, Eugene Wright, and Bennett marched with Martin Luther King Jr. in Montgomery, Ala.)

But these two artists were musically simpatico as well. They shared a devotion to the great American songbook, and knew how to straddle the worlds of jazz and popular music without compromises or crass commercialism, yet still reach millions of people, many of whom would never step inside a jazz club or read a copy of Down Beat.

So what a blessing to have these tracks from the past, a true meeting of musical masters, come to us more than a half-century after they were made, but still sounding as fresh and alive as they did to those present back in 1962. And after hiding out in a dark archive for so many decades, the music of two of the best and brightest to ever interpret the American popular song is shining for us once more.

“That Old Black Magic,” as well as Bennett/Brubeck: The White House Sessions Live 1962, is available on Apple Music.

After their 1962 performance, Tony Bennett and Dave Brubeck didn’t work together again until 2009 the Newport Jazz Festival. The video is shaky. obviously hand-held by someone in the audience, the audio is quite good.

As one of the commenters of the video said: “If you look up cool in the dictionary, this video should be there.”

Filed Under: Song of the Day Tagged With: Dave Brubeck, Frank Laico, Harold Arlen, Johnny Mercer, Ted Gioia, Tony Bennett

March 8, 2025 By Suzanne Leave a Comment

Song of the Day: Don’t Like Goodbyes

The song of the day for Saturday, March 8, 2025, is “Don’t Like Goodbyes.”

About This Song

“Don’t Like Goodbyes” was composed by Harold Arlen, with lyrics by Arlen and Truman Capote, for the 1954 Broadway musical House of Flowers, based on Capote’s novella of the same name. The song was introduced by Pearl Bailey. While the musical was not well-reviewed, the Arlen-Capote score is quite wonderful, including not only today’s song but the exquisite “A Sleepin’ Bee,” which Tony Bennett has recorded twice (in 1959 for Tony Sings For Two and at the 1962 Carnegie Hall concert). “Don’t Like Goodbyes” has been recorded by Pearl Bailey, Frank Sinatra, and Barbra Streisand.

About This Version

Tony Bennett recorded “Don’t Like Goodbyes” in 2004 for his album The Art of Romance. Jorge Calendrelli wrote the arrangement.

The Art of Romance won the 2006 Grammy Award for Best Traditional Pop Vocal Album.

“Don’t Like Goodbyes,” as well as The Art of Romance, is available on Apple Music.

Filed Under: Song of the Day Tagged With: Harold Arlen, House of Flowers, Jorge Calandrelli, The Art of Romance, Tony Bennett, Truman Capote

February 6, 2025 By Suzanne Leave a Comment

Song of the Day: The Man That Got Away

The song of the day for Thursday, February 6, 2025, is “The Man That Got Away.”

About Today

Today’s song is from Tony Sings For Two, which was released 64 years ago today on February 6, 1961.

About This Song

“The Man That Got Away” was written by Harold Arlen and Ira Gershwin for Judy Garland for the 1954 version of A Star Is Born, with James Mason. Her performance of the song is legendary in film history, with 27 takes in three days, three separate sessions, and two different directors. The filmed scene is brilliant and made the song a huge hit for Garland, who sang it in most of her concerts.

About This Version

Tony Bennett recorded “The Man That Got Away” on October 28, 1959, for his album with Ralph Sharon, Tony Sings For Two, released on February 6, 1961. Bennett told the story of this album in his autobiography, The Good Life.

I always wanted to be unpredictable, and so for my next project, I decided to go in the opposite direction from the big orchestral albums I’d been doing lately and cut an intimate piano-vocal album with Ralph Sharon. We booked time at the studio and pored through music books, trying one tune after another. The arrangements were spontaneous, and we finished each song in one or two takes. In one afternoon we laid down sixteen tunes—which must be some kind of record—twelve of which made it onto the album, which became 1961’s Tony Sings For Two. Mitch Miller showed up at the start of these sessions, furious that I was really going through with it. When he saw that there was no dissuading me, he turned to Frank Laico and said, “I’m leaving. I can’t support this.” Tony Sings For Two turned out to be one of my finest records ever.

“The Man That Got Away,” as well as Tony Sings For Two, is available on Apple Music.

Here’s the scene from A Star Is Born. Judy Garland was 32 years old:

Filed Under: Song of the Day Tagged With: A Star Is Born, Harold Arlen, Ira Gershwin, Judy Garland, Ralph Sharon, Tony Sings for Two

January 24, 2025 By Suzanne Leave a Comment

Song of the Day: Right As The Rain

The song of the day for Saturday, January 25, 2025, is “Right As The Rain.”

About This Song

“Right As The Rain” was written by Harold Arlen and Yip Harburg for the 1944 Broadway musical Bloomer Girl.

About This Version

Tony Bennett recorded “Right As The Rain” on August 17, 1960, for Tony Bennett Sings a String of Harold Arlen. The album was arranged and conducted by Glenn Osser.

“Right As The Rain,” as well as Tony Bennett Sings a String of Harold Arlen, is available on Apple Music.

Filed Under: Song of the Day Tagged With: Bloomer Girl, Glenn Osser, Harold Arlen, Tony Bennett, Tony Bennett Sings a String of Harold Arlen, Yip Harburg

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