The Year of Tony Bennett

An Appreciation of the Art and Music of Tony Bennett

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Song of the Day: Where Do You Start

The song of the day for Sunday, April 13, 2025, is “Where Do You Start.”

About This Song

“Where Do You Start” was written in 1987 by Johnny Mandel, with lyrics by Alan and Marilyn Bergman. This song has had many beautiful recordings: Nancy Lamott, Shirley Horn, Rosemary Clooney, Barbra Streisand, the Brad Mehldau Trio, Annie Ross, and Tony Bennett.

About This Version

Tony Bennett recorded “Where Do You Start” in 2004 for The Art of Romance. Johnny Mandel wrote the arrangement.

The Art of Romance won the 2006 Grammy Awawrd for Best Traditional Pop Vocal Album.

“Where Do You Start,” as well as The Art of Romance, is available on Apple Music.

I first fell in love with this song when I heard it on a Nancy Lamott album, in case you’d like to listen.

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Song of the Day: My Foolish Heart

The song of the day for Tuesday, December 4, 2012, is My Foolish Heart.

About My Foolish Heart

My Foolish Heart was written by Victor Young, with lyrics by Ned Washington, for the 1949 film of the same name. The film got terrible reviews; the song was nominated for an Oscar, but lost to Frank Loesser’s Baby It’s Cold Outside.

Billy Eckstine recorded the song in 1950 and it was a major hit. Since that time, it’s been a jazz and cabaret standard. I first fell in love with this song in 1993 when I heard it on Nancy LaMott’s 1993 album My Foolish Heart.

My Foolish Heart has had been recorded significantly as an instrumental piece (Bill Evans, Oscar Peterson, Keith Jarrett) and, of course as a vocal (Ms. LaMott, Margaret Whiting, Ann Hampton Calloway and and many more).

About This Version

Today’s version is from the brilliant 1975 The Tony Bennett Bill Evans Album. Both artists had previously recorded the song: Tony in 1958 for Long Ago and Far Away and Bill as early as 1961 with the Bill Evans Trio Sunday at the Village Vanguard (with Paul Motian on drums and Scott LaFaro on bass, who died in an automobile accident just ten days after the live recording at the Village Vanguard).

The recording that Bennett and Evans made in 1975 is markedly different from both of their previous recordings: it’s as beautiful and heartbreaking as the song can be, without an ounce of pathos or self-indulgence. For this author, it’s one of the highlights of Tony Bennett’s collaboration with Bill Evans.

The album (expanded from the original with alternate takes), as well as the song, is available from iTunes.