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The Year of Tony Bennett

An Appreciation of the Art and Music of Tony Bennett

April 1, 2016 By Suzanne Leave a Comment

Songwriter of the Month: Duke Ellington

This month we celebrate the songwriting career of one of America’s greatest, and most prolific, songwriters: Edward Kenney “Duke” Ellington.

Duke Ellington was born in Washington, DC on April 29, 1899. He died in New York on May 24, 1974.

I won’t presume to write a biographical summary of Duke Ellington. If biographical information is what you’re after, I recommend his official website at dukeellington.com.

What I do want to address over the month is not one his extraordinary gift as a composer, but as one of the great bandleaders of the 20th century. In spite of being fired from Columbia, the death of his collaborator and close friend Billy Strayhorn, and the changing tastes in music, Ellington not only managed to keep his orchestra going, he kept it going until, literally, his last breath. The end of swing era marked the end of many of great bands, but Ellington not only hung on but created some of his finest compositions and recreated himself at his legendary Newport Jazz Festival in 1956 with the still-amazing “Diminuendo and Crescendo in Blue,” feature a 27-chorus solo from Paul Gonsalves that takes my breath away.

As we feature the music of Duke Ellington performed by Tony Bennett, we’ll also be playing some of Ellington’s performances as well. We hope you enjoy listening and, to quote the great Duke: “We love you madly.”

As a special treat, here’s that 1956 recording from the Newport Jazz Festival. I think it’s the greatest piece of jazz music ever recorded. No fooling.

Diminuendo In Blue - Live

Listen to Diminuendo In Blue - Live on Spotify. Song · Duke Ellington · 1956

Filed Under: Songwriter of the Month Tagged With: Dimenuendo and Crescendo in Blue, Duke Ellington

April 30, 2013 By Suzanne Leave a Comment

Duke Ellington in the 1950s

Welcome back to our exploration of the musical career of the great Duke Ellington.

In a story that is not unfamiliar to fans of Tony Bennett, Duke Ellington found his style of music falling out of favor at beginning of the 1950s. In 1951, he saw the departure of some of his most valuable musicians from his orchestra, including Sonny Greer and Johnny Hodges. Even though he was able to keep the orchestra together, times were tough and the once-popular Ellington found himself booking one-night stands to keep going. Though he found some success in the reissues of earlier material on the “new” long-playing record albums, by 1955 the great Duke Ellington found himself without a record contract and playing background music for an ice  show in Flushing.

The summer of 1956 found Ellington invited by George Wein to perform at the Newport Jazz Festival. What happened on the evening of July 7, 1956 was a legendary performance that is still being talked about today. Duke and his orchestra had played a nicely received set, including a special composition created specifically for the festival. As the night drew towards an end — local statutes required that the music be ended by midnight — Duke Ellington announced that their next number would be an old number from 1937: Dimenuendo and Crescendo in Blue, with an “interval” by tenor saxophonist Paul Gonsalves.

What followed was, to many (including this author), the greatest live jazz performance ever recorded. The Gonsalves interval ran for 27 choruses of virtuoso playing: 14 minutes of incredible, perfect jazz. George Avakian wrote these liner notes for the record of this performance:

Throughout the performance there were frequent bursts of wild dancing and literally acres of people stood on their chairs, cheering and clapping. There were 7,000 people there and by halfway through his solo it had become an enormous single living organism, reacting in waves like huge ripples to the music played before it.

From this concert came his most successful album ever, Ellington at Newport. Originally a single LP, there was a double-CD re-release in 1999 that also included stage announcements and other material. In fact, the track after Dimenuendo and Crescendo in Blue is labeled Announcements, Pandemonium (Live).

And here is that legendary performance:
http://open.spotify.com/track/6Rwf6zMFGJsPkg5G3aJqYx

Filed Under: About His Collaborators Tagged With: Dimenuendo and Crescendo in Blue, Duke Ellington, Newport Jazz 1956, Paul Gonsalves

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